Today I spotlighting a mystery writer, C.A. Asbrey.
She has experience as a young police officer in Scotland who learned that talking people down from spiraling emotions was a powerful tool in keeping people safe, and more potent than violence. She also learned that listening to detail is vital too. Noting the small things helped to push cases along in gathering evidence.
She has a new mystery that has just been released:
Here is an interview with this writer:
Did you ever consider writing under a pseudonym?
I kinda do. I write under my married name and feature on social media under my maiden name for social interactions. I also write under initials. I don’t hide my gender, but it’s not immediately obvious when you look at the book cover.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
‘The Innocents’ is most definitely part of a larger body of work. It’s the first of a trilogy, but if people like them there’ plenty of scope to keep them going. I would still continue with each book being a self-contained mystery with the larger universe of the characters providing an over-arching connection between the books. The third book is written and at editing stage, but there are plenty of trials I can still put the characters through yet.
What is your writing Kryptonite
Emotional upset for sure. My last book took me a year to write as I was distracted by my husband being injured in an accident and my mother-in-law passing away from a long illness. I was very lucky to have a lovely mother-in-law. She is sorely missed.
What other authors are you friends with, and how do they help you become a better writer?
I’ve met many wonderful people on this journey and I’ve found them to be an incredibly generous and open community. I’d really encourage new writers to reach out and make contact. Not only will you find that they share resources, but you’ll probably make all kinds of new friends too. There are too many to mention but Kit Prate and Joanie Chevalier deserve a special mention. Both have been so supportive and inspiring to a brand new writer and have gone the extra mile in helping me cross over so many barriers. Kit introduced me to her publisher after reading my work, and helped me out of the slush pile. Joanie helped to point me towards the various groups which help a new writer with marketing and publicity. Not only that but she actually made up some advertising material and told me to ‘get my swag on.’ I was being far too Scottish—reticent and unwilling to look like I was bragging by saying my book was good. Both ladies have been incredible and I can’t thank them enough. Read their books and you’ll soon see how lucky I was to be assisted by them.
What was an early experience where you learned that language had power?
That would be in my work as a young police officer. I learned that talking people down from spiraling emotions is a powerful tool in keeping people safe, and more potent than violence. I also learned that listening to detail is vital too. Noting the small things helped to push cases along in gathering evidence. I also learned the complex and intricate ways people use language to put you down and grab power in a situation. Understanding that really helps you stay in control of a situation.
What’s your favorite under-appreciated novel?
That would have to be ‘The Moonstone’ by Wilkie Collins. Not only is it considered the first proper detective novel in the English language, it also shows working class females as rounded characters instead of foils for male attention. It also is the first to introduce many of the elements we take for granted in mysteries such as red herrings, false suspects, the skilled investigator, and a final twist. Collins was actually vastly more popular than Dickens in his day, but is now largely forgotten in comparison.
As a writer, what would you choose as your mascot/avatar/spirit animal?
Lol, maybe a giant sloth? Or one of those dogs or cats which go viral for bumping into glass doors or falling off things.
What kind of research do you do, and how long do you spend researching before beginning a book?
Copious amounts. ‘The Innocents’ has taken years of research into the work of the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. I research everything, even the stationary which was in use and the correct codes for the telegraph stations mentioned in the books. The theatrical make up used as disguises in the book began to flourish right around the period the books are set in as lighting improved and people could see the flaws in the rudimentary stuff previously only lit by candles. The forensics are fascinating to dig into too. You name it I researched it.
How do you select the names of your characters?
As I write 19TH century characters I try to keep them in period and maintain a sense of place. I’ll research popular or unusual names as well as using names of people I know if they’re appropriate. I’ve also been known to add really unusual names to my note as I come across them. Some are too good not to use.
Who is the most famous person you have ever met?
That would be either the Pope of the Queen – on a protection duty. When the Pope visited Scotland I was the police officer at the bottom of the aircraft steps. We then moved with him into the city. As a fun aside, the glass-covered vehicle he used was nicknamed the Pope Mobile by the press. The crowds were all still there when we returned to the airport in the Pope mobile without him. We stood in full uniform waving flowers out the top to cheering crowds as we drove the full length of Prince’s Street in Edinburgh (the big main street in Scotland’s capital city). The crowd cheered us and waved flags as we passed. Only a Scottish crowd could hail a car full of police officers like that. Great fun.
What kind of research do you do, and how long do you spend researching before beginning a book?
Copious amounts. ‘The Innocents’ has taken years of research into the work of the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. I research everything, even the stationary which was in use and the correct codes for the telegraph stations mentioned in the books. The theatrical make up, used as disguises in the book, began to flourish right around the period the books are set in. Lighting had improved and people could see the flaws in the rudimentary stuff previously only lit by candles. The forensics are fascinating to dig into too. You name it I researched it.
What was your hardest scene to write?
The interrogation scene. I had to inject a sense of menace into it to make it work. I know it’s not usual to make your hero do bad things, but he’s a professional criminal and he has to find out who this mysterious woman is and how much danger the heroine poses to him.
How long have you been writing?
I’ve been playing with the characters for about ten years, but work and life got in the way. I started writing seriously about two years ago and spent about a year being turned down by everyone. I acted on every bit of feedback and continually got my work reviewed and improved until it was polished enough to be accepted.
What inspires you?
Often fact is stranger than fiction, so I’ll start with real crime or criminals. I‘ll then change it to ensure that even people familiar with that particular crime can’t guess whodunit. The stories are inspired by real crimes and people but they are not a memoir. They are stories where everything is historically possible. It either happened or could have happened.
How did you come to write The Innocents?
My grasp on the methodologies used by law enforcement, when applied the law in day to day enquiries in the days before technology was available, as well as historic weaknesses and blind spots in the both the legal and court systems, make for an authentic backdrop to the characters.
I was always a voracious reader, my mother teaching me with flashcards at the age of two, and graduating to the adult section of the library about the age of ten. I easily finished three books a week for years and was lost without one. Mysteries were a real love and I consumed the works of writers old and new constantly. The one thing I always wanted to do was to write but never had the confidence or time to do more than dream about it.
As a child I loved to run lines with my actor father when he rehearsed, and peeked in on the parties full of creative people singing, dancing, telling jokes, performing and discussing the issues of the day. Childhood taught me that creativity was something you do, not something you passively watch. That carried over to a love of singing, professionally and with choirs, as well as playing some dodgy fiddle music, alongside far better musicians who either made me sound okay or drowned me out entirely. Either way I managed to carry it off for a bit and even bagged a musician husband.
I first became interested in the female pioneers in law enforcement when I joined the police in Scotland. History has always held a draw and the colorful stories of the older officers piqued my interest, making her look even further back.
The very first women in law enforcement had been in France, working for the Sûreté in the early 19th century. They were, however, no more than a network of spies and prostitutes, the most infamous being the notorious ‘Violette’. Now there’s another story which needs to be told!
The first truly professional women in law enforcement worked for the Pinkerton Agency, and they were trained by the first female agent Kate Warne, an ex-actress and an expert in working undercover. Kate Warne was an expert at disguise, adopting roles, and accents. She was said to be daring and able to pass her characters off, even in close quarters. In the only known photograph of her she is dressed as a man. This was a skill set my childhood had prepared her to understand.
The first truly professional women in law enforcement worked for the Pinkerton Agency, and they were trained by the first female agent Kate Warne, an ex-actress and an expert in working undercover. Kate Warne was an expert at disguise, adopting roles, and accents. She was said to be daring and able to pass her characters off, even in close quarters. In the only known photograph of her she is dressed as a man. This was a skill set my childhood had prepared her to understand.
These women were fully-fledged agents, with their skills being held in high regard by Alan Pinkerton who once said, “In my service you will serve your country better than on the field. I have several female operatives. If you agree to come aboard you will go in training with the head of my female detectives, Kate Warne. She has never let me down.”
I started to wonder why one of the female agents couldn’t be a Scottish Immigrant. After all, Alan Pinkerton was one. He came from Glasgow. Being a Scot in another land is something I know well. They do say you should write what you know.
My work has taken me all over the world, but working in the USA and visiting the places where these women worked deepened my passion for finding out more about how they lived. I also researched the tools and equipment available to them at the time. Connections to police and Home Office experts allowed me to research the birth of forensics with people who knew their subject intimately.
The topic for ‘The Innocents Mystery Series’ simmered in the background for years, and all the time I was researching more and more deeply into the period. I love the rapid pace of innovation and invention in the 19th century. Nothing pleases me more than finding spy gadgets available at the time which were invented far earlier than most people would think possible.
Work and life got in the way of the books being anything more than an idea until I was suddenly grounded by a serious accident. The enforced leisure time of recuperation focused my mind and the old dream of writing resurfaced. It started as a short story which took on a life of its own when it grew and grew—then grew some more.
Eventually, ‘The Innocents Mysteries’ evolved and I found the perfect home for it at Prairie Rose. This is my first foray into fiction. I have produced magazine and newspaper articles based on consumer law and written guides for the Consumer Direct Website. I was Media Trained by The Rank Organization, and acted as a consultant to the BBC's One Show and Watchdog. I have also been interviewed on BBC radio answering questions on consumer law to the public.
I run a blog which explores all things strange, mysterious, and unexpected about the 19th century. It was a huge compliment to be told that another writer finds it a great resource. The link can be found below.
I live with my husband and two daft cats in Northamptonshire, England—for now. Another move is on the cards in 2108 to the beautiful city of York.
Twitter https://twitter.com/CAASBREY
Facebook group for The Innocents Mystery Series
https://www.facebook.com/groups/937572179738970/?ref=br_rs
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